Farida Afridi
Protection of the Family
The Issue
Over the past few years, a troubling new trend at the international human rights level is being observed, where discourses on ‘protecting the family’ are being employed to defend violations committed against family members, to bolster and justify impunity, and to restrict equal rights within and to family life.
The campaign to "Protect the Family" is driven by ultra-conservative efforts to impose "traditional" and patriarchal interpretations of the family, and to move rights out of the hands of family members and into the institution of ‘the family’.
“Protection of the Family” efforts stem from:
- rising traditionalism,
- rising cultural, social and religious conservatism and
- sentiment hostile to women’s human rights, sexual rights, child rights and the rights of persons with non-normative gender identities and sexual orientations.
Since 2014, a group of states have been operating as a bloc in human rights spaces under the name “Group of Friends of the Family”, and resolutions on “Protection of the Family” have been successfully passed every year since 2014.
This agenda has spread beyond the Human Rights Council. We have seen regressive language on “the family” being introduced at the Commission on the Status of Women, and attempts made to introduce it in negotiations on the Sustainable Development Goals.
Our Approach
AWID works with partners and allies to jointly resist “Protection of the Family” and other regressive agendas, and to uphold the universality of human rights.
In response to the increased influence of regressive actors in human rights spaces, AWID joined allies to form the Observatory on the Universality of Rights (OURs). OURs is a collaborative project that monitors, analyzes, and shares information on anti-rights initiatives like “Protection of the Family”.
Rights at Risk, the first OURs report, charts a map of the actors making up the global anti-rights lobby, identifies their key discourses and strategies, and the effect they are having on our human rights.
The report outlines “Protection of the Family” as an agenda that has fostered collaboration across a broad range of regressive actors at the UN. It describes it as: “a strategic framework that houses “multiple patriarchal and anti-rights positions, where the framework, in turn, aims to justify and institutionalize these positions.”
Related Content
Solidarity: membership why page
Solidarité
nous prenons position en solidarité les un·e·s avec les autres ainsi qu’avec différentes luttes en défense de la justice et des libertés. Nous nous efforçons de mobiliser et renforcer l’action collective et de pratiquer des méthodes significatives de collaboration.
كيف ستعرضون وتعالجون المعطيات التي ستجمعونها في الاستطلاع؟
سيتم جمع المعطيات لأهداف إحصائية لتسليط الضوء على وضع التمويل للحركات النسوية العالمية وسيتم عرضها فقط بشكل إجمالي. لن تنشر AWID المعلومات عن اي منظمة محددة ولن تعرض أي من المعلومات التي ستمكّن من التعرّف على منظمة عن طريق موقعها أو صفاتها دون موافقة المنظمة.
Holding up the Skies
A Film Series on Feminist Realities from Africa and the African Diaspora
by Gabrielle Tesfaye
When I created my short animation film, The Water Will Carry Us Home, my mind was plugged into a magical world of fearless resilience and ancestral mermaids who transformed their deepest scars into a new generation of life. Set during the time of the transatlantic slave trade, I was pulled to show this history of African enslavement in a different way than it has ever been told on screen. I wanted to give my ancestors the commemoration they never received. I was motivated to reclaim the history that continues to paint us as helpless victims. Essentially, I wanted to tell the truth. To reclaim and reimagine our history and perspective, means to simultaneously heal our generational traumas that exist today. It is this important work that so many women through the African continent and the African diaspora are doing today, igniting our collective Feminist Realities.
In the making of the film I researched religiously, and in what was written, I saw what was not. There were many times I felt I was hitting a wall trying to find something that was not there, and it was in those voided places that I realized the storytellers of today are filling the voids. I found the most useful stories in contemporary art, film, and African diaspora folklore.
“... a truly unique, raw and representation of feminist power in action.”
- Hers is Ours Collective, organizers of the Outsider Moving Art & Film Festival
The Water Will Carry Us Home carried itself around the world into the hearts of the Diaspora. It also led me here, as the curator of the African and Diaspora film screenings of AWID’s Co-Creating Feminist Realities initiative. Whilst curating this collection of films, I looked for stories that were completely unique, raw and representational of feminist power in action. Consisting of three shorts and one feature, they reveal stories through many communities in Africa and the diaspora, including Ethiopia, Uganda, The Democratic Republic of Congo, South Africa and Kenya. These films reposition African women as what they truly are- self governing and empowered through the unfiltered lens of their work.
“An incredibly beautiful, attentive, finely observed telling of the connection between Africa and its Diaspora formed form the trans Altantic slave trade. The visual universe it creates is just gorgeous… an echo of the fusion of spiritual traditions and non-linear time that speak to how we are still experiencing the moments of the past that formed 'new' worlds of diaspora blackness.”
- Jessica Horn, PanAfrican feminst strategist, writer and co-creator of the temple of her skin
Our short documentary film, Women Hold Up the Sky, created by the WoMin African Alliance, tells the story of women activists in Uganda and the Democractic Republic of Congo who are actively reclaiming their land rights, threatened by mining and other extractives in their homes. The film not only exposes the corruption of extractivism, but finally shares what we have been missing on screen - how grassroots African women are actively organizing, strategizing, and analyzing within their communities to create women-centred and community-driven alternatives. Margaret Mapondera of WoMin explains it beautifully, that they are the “custodians of lands, forests, waters, rivers and territories; the ways in which women hold and transmit the stories / herstories of our past and our futures; the powerful and transformative ways of being that women embody in their relationships to each other, to the environment and in themselves.”
“A refreshing and much-needed piece of cinema highlighting the many ways African women are coming together to create women-led and community-driven alternatives… The fight is on and
women hold the key.”
- Hers is Ours Collective, organizers of the Outsider Moving Art & Film Festival
Pumzi, created by critically acclaimed director Wanuri Kahiu, bridges Africa and science fiction around climate and environmentalism. Pumzi imagines a futuristic world where humankind has been forced to settle on another planet. While Pumzi seems afro-futuristic and new for Africa on the surface, Kahiu reveals the truth that science fiction and fantasy is something that has always existed in African storytelling, but never recognized. Kahiu creates a world where women are truth seekers and heroes who pioneer us into a new world, the opposite of images that position Africans as victims of war and destruction. Instead, Pumzi writes the narrative of African women being their own saviors and problem solvers, who stop at no cost to follow the cryptic visions they channel in their dreams.
“A pioneering African sci-fi film, situating women as scribes of the future and opening up our visions about other worlds, other universes we might occupy as Africans - always an important exercise as we imagine our way out of present crises.”
- Jessica Horn, PanAfrican feminst strategist, writer and co-creator of the temple of her skin
Our feature film of the program, Finding Sally is set in 1970’s Ethiopia during the time of The Red Terror war, documenting the striking history of director Tamara Mariam Dawit’s activist aunt, Sally Dawit. Throughout the film we learn of Sally’s incredible journey as a young and courageous woman activist navigating one of the most violent times of Ethiopian history. Sally’s story not only reveals the gravity of this time, but the reflection of her own personal evolution as a young woman. Dawit was intentional to tell the film through the lens of women, untouched by male voices. Due to so much Ethiopian history being told by men, the making of this powerful story preserved its reality of honoring the feminist perspective. Dawit explains, “Women in revolution and war are often only included as someone's spouse or someone who did cooking or typing work. I wanted to look at the activism around the revolution only through the memories and voices of women.” Finding Sally demonstrates the reclamation of history sought by current filmmakers today. It is an igniting of feminist power and our connected realities throughout time.
“The responsibility falls on us, to remember these women that came before us and their brilliant work so they are not forgotten like the thousands of women already forgotten while fighting the good fight. Sally is such a woman and may she never be forgotten.”
- Hers is Ours Collective, organizers of the Outsider Moving Art & Film Festival
Register here to watch this film from June 18-22
These films have became a part of my own psyche, empowering me to continue building powerful alternatives towards justice from within. They affirm that I am a woman among a world of women, holding up the skies and actively building indestructible Feminist Realities. These films are more than stories of African women - they are globally relatable, inspiring and set the example of Feminist Realities for all of us around the world.
Gabrielle Tesfaye:
Gabrielle Tesfaye is an interdisciplinary artist versed in painting, animation, film, puppetry and interactive installation. Her work is rooted in the African diaspora, Afro-futurism, ancient art practices and cultural storytelling.
Gabrielle Tesfaye is an interdisciplinary artist versed in painting, animation, film, puppetry and interactive installation. Her work is rooted in the African diaspora, Afro-futurism, ancient art practices and cultural storytelling.
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Carmen de la Cruz
Carmen had a long career advocating for women’s rights both in NGOs and within the United Nations (UN) system.
She taught courses in several Spanish and Latin American universities, and published numerous articles and reports on women, gender and peace in developing countries.
Her writing and critical reflections have impacted a whole generation of young women. In her last years, she was responsible for the Gender Practice Area in the Regional Center of the United Nations Development Program (UNDP) for Latin America, from where she supported very valuable initiatives in favour of gender equality and women's human rights.
Snippet FEA Unio Otras Photo 2 (EN)
Islam Bibi
Membership why page page - to join as a member block
To join as a member - step by step
- Read and endorse the AWID Values and Community Guidelines.
- Fill out your membership sign-up form and indicate your contribution to at least one type of action proposed.
- Check your mailbox for a confirmation of your membership.
- Fulfill your contribution commitment to the type(s) of action you chose in the sign-up form.
Сколько ответов на опрос вы хотели бы получить?
Мы стремимся в общей сложности получить 2000 ответов, что почти вдвое больше, чем в последнем опросе, проведенном в 2011 году.
#MeToo in China
En China, el movimiento #MeToo [«Yo También»] se encendió en enero de 2018, empujado por el ímpetu del movimiento #MeToo de todo el planeta. Fue una respuesta a los problemas culturales y sistémicos relacionados con el género y el poder dentro de China. Las bases del movimiento habían sido establecidas durante décadas, y los muchos años de debate y promoción de la igualdad de género, finalmente, hicieron erupción con tremenda fuerza en toda la sociedad. El movimiento #MeToo fue impulsado fundamentalmente por jóvenes, que incluyen a innumerables mujeres anónimas y sus aliadxs, en busca de oportunidades para hacer realidad el principal «sueño chino»: transformar a China en un país con igualdad de género.
En China, el contexto para el movimiento #MeToo es extremadamente adverso: el Estado de derecho, la justicia y la transparencia de las acciones gubernamentales y la libertad de expresión no pueden darse por descontados, pero estos son precisamente los objetivos por los cuales lucha el movimiento. Ha sido, desde el principio, una lucha intensa, y cada víctima o activista que se visibiliza corre enormes riesgos: desde ser silenciadx o humilladx o de sufrir represalias hasta poner en peligro su seguridad. Todos los éxitos del movimiento #MeToo han sido logrados por quienes son lo suficientemente valientes como para asumir los costos de manifestarse y desafiar la censura.
La exhibición «#MeToo in China» fue inaugurada en 2019 y recorrió cinco ciudades. Su objetivo es dar mayor prominencia a las experiencias personales de lxs víctimas y lxs activistas, para inspirar al público a unirse a la lucha a través del contacto con estas historias. La exposición misma se ha convertido en parte de la lucha #MeToo: ha debido enfrentar desafíos en su itinerario por toda China y, en más de una ocasión, fue amenazada con la clausura.
Efua Dorkenoo
Conocida afectuosamente como «Mama Efua», su trabajo con el movimiento para terminar con la mutilación genital femenina (MGF) se extendió a lo largo de tres décadas y ayudó a llamar la atención internacional y a generar acciones para erradicar esta práctica dañina.
En 1983, Efua fue una de las fundadoras de FORWARD (The Foundation for Women’s Health, Research and Development, La fundación para la salud de las mujeres, la investigación y el desarrollo), que se convirtió en una organización líder en la batalla por crear conciencia sobre la MGF. Su libro de 1994, Cortar la rosa: mutilación genital femenina, es considerado el primer libro sobre MGF y aparece en la lista de «Los 100 mejores libros africanos del siglo XX» de la Universidad de Columbia.
Originaria de Ghana y enfermera de profesión, Efua se incorporó a la Organización Mundial de la Salud (OMS) en 1995 y con empeño logró la inclusión de la MGF en las agendas de los Estados miembros de la OMS. También trabajó estrechamente con el Gobierno nigeriano en la elaboración de una política nacional integral que sentó las bases para las leyes contra la MGF de Nigeria, que todavía están vigentes. Su trabajo pionero culminó en una campaña liderada por África, «La generación de las niñas», dedicada a terminar con la MGF en el plazo de una generación.
Efua demostró que una persona puede convertirse en una voz unificadora para un movimiento y ahora resultan más relevantes que nunca sus sabias palabras: «la identidad compartida puede ayudar a reunir a activistas que vienen de contextos diferentes y a que tengan un sentido de propósito en común».
Snippet FEA Sabrina Sanchez Bio (ES)
Te presentamos a Sabrina Sanchez, increíble mujer trans, migrante, trabajadora sexual, organizadora, transfeminista y una de las fundadoras del sindicato OTRAS.
Originaria de la Ciudad de México, emigró a España hace 17 años después de graduarse en comunicaciones y comenzó a trabajar como trabajadora sexual.
No pasó mucho tiempo antes de que se involucrara con el activismo trans y el activismo de trabajadoras sexuales en Barcelona. Después de unirse al colectivo Asociación de Profesionales del Sexo (Aprosex), comenzó a trabajar en su secretaría y fundó el sindicato español de trabajadoras sexuales OTRAS.
Actualmente vive en Ámsterdam, donde trabaja como coordinadora de la Alianza Europea de Trabajadoras Sexuales.
Dato divertido: ¡también es mecánica de automóviles y corredora!
Palwasha Tokhi
Forum Theme (Forum page)
El tema del 14° Foro Internacional de AWID es Realidades feministas: nuestro poder en acción.
En este Foro, vamos a celebrar y multiplicar las propuestas poderosas que nos rodean, en sus distintos estadios de evolución.
Snippet - WITM Our objectives - PT
Os nossos objetivos da pesquisa WITM:
1 |
Fornecer a membres da AWID, parceires do movimento e financiadores uma análise atualizada, robusta, baseada em fatos e orientada para a ação das realidades do financiamento de movimentos feministas e do estado atual do ecossistema do financiamento feminista. |
2 |
Identificar e demonstrar oportunidades para transferir mais recursos de maior qualidade para a organização feminista, expor soluções falsas e interromper tendências que fazem com que o financiamento não seja bem-sucedido e/ou se mova contra a justiça de género e objetivos feministas interseccionais. |
3 |
Articular visões, propostas e objetivos feministas para a justiça no financiamento. |
Nicole Barakat
nous sommes infini·e·s
Une exposition de Nicole Barakat qui incarne sa reconnexion avec la diaspora d'objets provenant de ses terres ancestrales dans l'Asie du Sud-Ouest et l'Afrique du Nord.
Barakat présente une collection d'œuvres textiles en tant que manifestations de sa démarche consistant à travailler avec des objets déplacés, souvent volés, détenus dans les collections de musées occidentaux, notamment le Louvre, le British Museum et le Nicholson Museum.
Pour contourner les gardiens et pénétrer dans les vitrines contenant ces objets ancestraux, Barakat récupère des formes de connaissances précoloniales, non linéaires et réceptives qui sont souvent dévaluées et rejetées par les institutions coloniales et patriarcales. Elle utilise ainsi la cafédomancie, le travail du rêve, l'écoute intuitive et les conversations avec les objets eux-mêmes (source).
À propos de Nicole Barakat
Nicole Barakat est une artiste queer femme de la région d’Asie du Sud-Ouest et d’Afrique du Nord, née et vivant à Gadigal (dite Sydney, en Australie). Elle emploie des processus intuitifs et d’écoute profonde visant à transformer les conditions de la vie quotidienne. Son travail fait appel à des approches non conventionnelles de la création artistique, créant des œuvres complexes qui incarnent l'amour et la patience et caractérisent les pratiques textiles traditionnelles.
Ses œuvres comprennent des dessins en tissu et en papier cousus et découpés à la main, des formes sculpturales réalisées avec ses propres cheveux, du tissu et des matériaux végétaux, ainsi que des œuvres en direct où elle utilise sa voix comme matériau.
La pratique créative de Nicole s'enracine dans la re-mémoration et le re-couvrement de son savoir ancestral, y compris la cafédomancie et, plus récemment, le travail avec des plantes et des essences de fleurs pour le soin et la guérison de la communauté.
Zita Kavungirwa Kayange
Zita était une défenseure des droits des femmes de la région du Grand Kivu.
Elle a été la première directrice exécutive d’UWAKI, une organisation de femmes bien connue. Par son travail avec le Réseau des Femmes pour la Défense des Droits et la Paix (RFDP) et le Caucus des femmes du Sud-Kivu pour la paix, elle a consacré sa vie à rétablir la paix dans l'est de la RDC. Elle a très fermement dénoncé l'utilisation de la violence sexuelle comme arme de guerre.
En 2006, elle s'est présentée comme candidate aux premières élections démocratiques en RDC. Bien qu’elle n’ait pas gagné, elle a continué à défendre les droits des femmes et la communauté du Sud-Kivu se souvient d’elle avec affection.
Snippet FEA Principles of Work Antiracism (FR)
ANTI-RACISME
Maha Abu-Dayyeh
Publications - Homepage - fr
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